Trysts Tropiques: The Torrid Jungles of Science Fiction
DOI:
https://doi.org/10.25120/etropic.16.1.2017.3570Keywords:
fiction, gender, jungle, literature, methodology, tropicalAbstract
In science fiction magazines of the first half of the twentieth century, tropical environments are chaotic domains where civilised restrictions do not apply. Visitors who cross the boundary between civilisation and jungle exhibit carnal desires and violent behaviours in response to the opportunities and threats they encounter. Mysterious cities and settlements hidden in the jungle and inhabited by supernatural beings are a common feature of science fiction of this period. The tropics are ‘torrid’ in both a human, emotional sense, as well as in the sense of Aristotle’s definition of a geographical area that is virtually uninhabitable due to the hostility of the climate (Physics, 362a33-362b29). However, by the end of the century, the tropical jungle had been transformed in science fiction into something positive and less fearsome; a rich ecological reserve, endangered, and in need of preservation. Tropical science fiction narratives reflect a changing public understanding of the tropics, and illustrate the value of science fiction as a record of the history of changes in social and cultural values.References
Aldridge, R. (1995, March). Stolen faces, stolen names. Science Fiction Age, 3, 47-62.
Asimov, J. (1995, December). Science: Crazy for trees. The Magazine of Fantasy & Science Fiction, 89, 93-101.
Attebery, B. (2002). Decoding gender in science fiction. New York, NY: Routledge.
Bond, N. S. (1942, June). Gods of the jungle. Amazing Stories, 16, 194-244.
Bower, K. (1979, February). Earth: Darwin's archipelago. Omni, 1, 16-19.
Brown, C. N., & Contento, W. G. (2010, 2nd January, 2010). The locus index to science fiction: 2007. Retrieved from http://www.locusmag.com/index/yr2007/0start.htm
Butler, C. (2007, October-November). The turn. Asimov's Science Fiction, 31, 176.
Byrne, S. J. (1948, February). Prometheus II. Amazing Stories, 22, 8-87.
Chandler, L. (1951, May). Planet of no return. Amazing Stories, 25, 6-51.
Cowper, R. (1984, May). A message to the king of Brobdingnag. The Magazine of Fantasy & Science Fiction, 66, 72-92.
Eklund, G. (1973, November). The beasts of the jungle. The Magazine of Fantasy & Science Fiction, 45, 32-65.
Fox, G. F. (1946, July). Heart of light. Amazing Stories, 20, 94-106.
Francis, L. (1943, June). Citadel of hate. Fantastic Adventures, 5, 154-183.
Greenland, C. (1983). The entropy exhibition: Michael Moorcock and the British "new wave" in science fiction. London: Routledge & Kegan Paul.
Hamilton, E. (1935, October). The six sleepers. Weird Tales, 26, 402-421.
Herbert, F. (1972, August). Greenslaves. Thrilling Science Fiction, 4-27, 131.
Jones, G. (1990, December). Review: Take back plenty by Colin Greenland. The New York Review of Science Fiction, 28, 6.
Khadem, A. (2012). Annexing the unread: A close reading of “distant reading”. Neohelicon, 39(2), 409-421. doi:10.1007/s11059-012-0152-y
Kidman, S. (2015). Self-regulation through distribution: Censorship and the comic book industry in 1954. Velvet Light Trap, 75, 21-37. doi:http://dx.doi.org.elibrary.jcu.edu.au/10.7560/
Killheffer, R. (1990, December). Review: Kalimantan by Lucius Shepard. The New York Review of Science Fiction, 28, 13-14.
Langford, D. (1993, September). Editorial: The ansible link. Interzone, 75, 34.
Lee, K.-Y., & Joo, S.-H. (2005). The portrayal of Asian Americans in mainstream magazine ads: An update. Journalism and Mass Communication Quarterly, 82(3), 654-671. doi:10.1177/107769900508200311.
Lent, J. A. (1999). The comics debates internationally: their genesis, issues, and commonalities. In J. A. Lent (Ed.), Pulp demons: International dimensions of the postwar anti-comics campaign (pp.9-14). London: Associated University Press.
Lovelock, J. E. (1979). Gaia: A new look at life on earth. New York, NY: Oxford University Press.
McCauley, P. J. (1989, March). Jacob's rock. Amazing Stories, 63, 86-118.
Montgomery, S. (1988, October). Amazon apothecary. Omni, 11, 42.
Moretti, F. (2005). World-systems analysis, evolutionary theory, "Weltliteratur". Review (Fernand Braudel Center), 28(3), 217-228.
Nevins, J. (2014). Pulp science fiction. In R. Latham (Ed.), The Oxford handbook of science fiction (pp.93-114). Oxford: Oxford University Press.
Nyberg, A. K. (1999). Comic book censorship in the United States. In J. A. Lent (Ed.), Pulp demons: International dimensions of the postwar anti-comics campaign (pp. 41-55). London: Associated University Press.
Ortner, S. B. (1974). Is female to male as nature is to culture? In M. Z. Rosaldo & L. Lamphere (Eds.),Woman, culture, and society (pp. 68-87). Stanford, CA: Stanford University Press.
Pease, M. C. (1953, September). The final answer. Science Fiction Adventures, 1, 6-47.
Philips, A. M. (1941, February). The mislaid charm. Unknown, 4, 9-56.
Recour, C. (1949, March). The swordsman of Pira. Amazing Stories, 23, 90-132.
Runte, T. (1986, February). Last word. Omni, 8, 118.
Scholes, R., & Latham, S. (2006). The changing profession: The rise of periodical studies. PMLA: Publications of the Modern Language Association of America, 121(2), 517-531.
Shaver, R. (1948, March). Gods of Venus. Amazing Stories, 22, 8-124.
Shaver, S., & McKenna, B. (1946, July). Cult of the witch queen. Amazing Stories, 20, 8-38, 109-145.
Shepard, L. (1990). Stark raving: Remedial reading for the generation of swine. Wired, 172-174.
Smith, B. H. (2016). What was "close reading"? The Minnesota Review, 2016(87), 57-75. doi:10.1215/00265667-3630844
Stableford, B. (1991, September). Tarzan of the apes. Interzone, 51, 50-52.
Steele, M. J. (1943, August). Warriors of other worlds. Fantastic Adventures, 5, 208.
Stoneham, C. T. (1948, October). The lion's way. Famous Fantastic Mysteries, 10, 10-103.
The Organic Consumers' Association. (2017). Millions against Monsanto. Retrieved from https://www.organicconsumers.org/campaigns/millions-against-monsanto
The Times (Shreveport). (1983, 19th January). Scientists make gene transfer. The Times, p. 10.
Waldeyer, H. (1942, June). Ferocious-fantastic-frightening: Some fantastic facts about the gorilla. Fantastic Adventures, 4, 232.
Wilcox, D. (1942, October). The leopard girl. Fantastic Adventures, 4, 50-97.
Williamson, J. (1934). The legion of space. Astounding Science Fiction, 13, 102-122.
Yerxa, F. (1949, March). The amazing Amazon. Amazing Stories, 23, 23.
Downloads
Published
How to Cite
Issue
Section
License
Authors who submit articles to this journal agree to the following terms:
1. Authors are responsible for ensuring that any material that has influenced the research or writing has been properly cited and credited both in the text and in the Reference List (Bibliography). Contributors are responsible for gaining copyright clearance on figures, photographs or lengthy quotes used in their manuscript that have been published elsewhere.
2. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution (CC-BY) License that allows others to share and adapt the work with an acknowledgement of the work's authorship and initial publication in this journal.
3. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository, or publish it in a book), with proper acknowledgement of the work's initial publication in this journal.
4. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (see The Effect of Open Access or The Open Access Citation Advantage). Where authors include such a work in an institutional repository or on their website (i.e., a copy of a work which has been published in eTropic, or a pre-print or post-print version of that work), we request that they include a statement that acknowledges the eTropic publication including the name of the journal, the volume number and a web-link to the journal item.
5. Authors should be aware that the Creative Commons Attribution (CC-BY) License permits readers to share (copy and redistribute the work in any medium or format) and adapt (remix, transform, and build upon the work) for any purpose, even commercially, provided they also give appropriate credit to the work, provide a link to the license, and indicate if changes were made. They may do these things in any reasonable manner, but not in any way that suggests you or your publisher endorses their use.