Scheherazade: Goan Gothic as Decolonial Storying

Authors

DOI:

https://doi.org/10.25120/etropic.22.1.2023.3963

Keywords:

decolonial storying, Goa Portuguese colony, Goan Gothic, Tropical Gothic, colonial, decolonizing, neocolonial

Abstract

This Gothic short story, set in Goa – a Portuguese colony until 1961 and then annexed by India – tells the tale of a beautiful storyteller’s long journey to find herself. She seeks out a Tarot card reader to give her insight, but her destiny will still prevail. She is seduced by a wealthy politician, only to be imprisoned in a palatial Portuguese mansion hidden in a remote jungle. Over time, her lover abandons her and the jungle house takes on mystical qualities. She feels she is losing her mind until she slowly recognises the voices of the creatures and the spirits around her. Within these relations the house of her imprisonment turns into a sanctuary, until she is eventually rescued and returned to the “normal” life of contemporary Goa. In the end, she accepts the past, which allows her to move forward into life. Like Scheherazade’s elaborate storytelling which was life-saving, this story presents stories within stories, to recover (post) colonized lives. A decolonial reading of this storying alludes to the tarot reader as an observer of the historical events; the corrupt politician as an archetypal colonizer (colonial and neocolonial); and the storyteller as the colonized – physically and psychologically. The story suggests that the way to move forward is to understand colonialism and its continuing impacts, as well as to recognize the appearances of neocolonialism in the present. In this regard, the story can also be read as the struggle for the central government of India, based in Delhi, to accept the 451-year Portuguese colonial history as an indelible part of Goa. Finally, storying in itself is a decolonial practice, a way for Goans to find self.

Author Biography

Jessica Faleiro, Independent Scholar

Jessica Faleiro’s fiction, poetry, essays and travel pieces have been published in Asia Literary Review, Forbes, Indian Quarterly, India Currents, Coldnoon, Joao Roque Literary Journal, Mascara Literary Review, Muse India, eTropic and The Times of India as well as in various anthologies, most recently, The Greatest Goan Stories Ever Told. Her first novel Afterlife: Ghost stories from Goa (2012) is about a Goan family and their ‘ghostly’ encounters, and her second, The Delicate Balance of Little Lives (2018), is a collection of interlinked stories about five middle-class Goan women trying to cope with loss. She won the Joao Roque Literary Award ‘Best in Fiction’ 2017 for her short story ‘Unmatched’. Jessica previously worked for Kingston University Press as a sub-editor and co-edited the March 2018 issue of the Joao Roque Literary Journal’s edition on Writing from the Goan Diaspora.  She has an MA in Creative Writing from Kingston University, UK, talks about creativity, and runs creative writing workshops. As she, Jessica, notes: I write from the perspective of being a Goan of colonial Portuguese heritage and South Asian descent, and a member of the Goan diaspora. I also write from the position of being a woman of colour.

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Published

2023-07-03

How to Cite

Faleiro, J. (2023). Scheherazade: Goan Gothic as Decolonial Storying. ETropic: Electronic Journal of Studies in the Tropics, 22(1), 119–129. https://doi.org/10.25120/etropic.22.1.2023.3963

Issue

Vol. 22 No. 1 (2023): Decolonizing the Tropics: Part One

Section

Literatures and Literary Analyses

License

Copyright (c) 2023 CC-BY

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