Decolonizing Tropical Environments: Awakening Nigeria’s Indigenous Dance Theatre

Authors

DOI:

https://doi.org/10.25120/etropic.22.1.2023.3958

Keywords:

Indigenous dance theatre, environmental decolonization, Indigenous knowledge, colonialism, Niger Delta tropics, toxicity and wasting

Abstract

The projected apocalypse triggered by centuries of consistent environmental abuse has attracted multidisciplinary attention which has intensified in the last few years. Scholarship largely figures colonial mechanisms and their variables such as imperialism, industrialization and militarism as responsible for the wasting of tropical bodies in the guise of development. The focus of this paper is threefold. Firstly, to establish that colonialism and neocolonialism is at the center of ecosystem degradation in the tropics and examine concepts of development as colonial constructs to sustain polluting rights in Nigeria. Colonialism remains at the center of the toxicity and wasting of humans and the environment in Nigeria, hence the call for decolonization of environmental discourses. Secondly, foreground the need to dismantle the tropes of development, civilization, and industrialization, as colonial installations to sustain the toxicity of the tropics. Thirdly, to investigate the necessity to return to Indigenous knowledge resources in order to forge new mindsets for envisioning sustainable futures. The rich multiethnic culture of Nigeria points to the potential of Indigenous dance theatre as an Indigenous knowledge resource to provoke much-needed conversations and change towards decolonization and posthuman consciousness. Towards this future, the paper addresses the present challenges of Indigenous dance theatre as well as the modalities for engaging it for effective results in rewriting the Nigerian stanza in the colonial-enforced tragedy of the tropics.

Author Biographies

Princewill Chukwuma Abakporo, Bowen University Iwo, Osun State, Nigeria

Princewill Chukwuma Abakporo is a Nigerian performer, teaching artist, and researcher. Currently, he teaches dance and performance in the Theatre Arts Programme of Bowen University Iwo, Osun State Nigeria, and is the Artistic Director of African Pot Theatre (APT). Inspired by his current research on Nigerian Indigenous dances and emerging socio-cultural, political, pedagogical, and environmental realities, Princewill has created and presented works that reflect this interest, such as the Oyi Dance (social reflections), This is Nigeria (a statement on Nigerian politics) and Ara Wa Ninu Jigi (A cultural piece) among other funded and self-funded performances. He has a BA in Theatre Arts, MA in African Drama and Theatre and currently pursuing a PhD in African Dance and Choreography. His research interests in repositioning Indigenous Nigerian dances are evidenced in the majority of his publications. Princewill is from Imo State, an Igbo-speaking part of the country which also is part of the oil-producing communities in Nigeria that witness political exclusion, environmental exploitation, and degradation, but with a rich cultural performance tradition that inspires his work.

Stanley Timeyin Ohenhen, Nowen University Iwo, Nigeria

Stanley Timeyin Ohenhen is an Associate Professor of Theatre Management, Arts Administration, Advocacy, and Entrepreneurship. He has a Bachelor of Arts Degree in Theatre Arts from the University of Benin, Nigeria, an MA and PhD, both from the University of Ibadan, Nigeria, specializing in Theatre Management and Arts Administration. Besides the focus of his doctoral dissertation, titled Management and Marketing Communications Strategies of the Musical Society of Nigeria (1983-2007), which is a significant contribution to the economics of the performing arts and culture, his other main research foci and presentations at local and international conferences have been about colonialism and the de-neocolonization agenda of African Countries especially as portrayed by African Dramatists, Eco-criticism, and the nexus between Theatre and Society, in the manner that the theatre and its various arts such as dance, dance-theatre, drama, and music, contribute to the struggle against the consistent degradation of the environment and the world climate. Stanley is also a research scholar in Gender Studies, Diversity and Inclusivity. He presently is the Provost of the College of Liberal Studies at Bowen University, Iwo, Nigeria, where he teaches Theatre Management and Arts Administration, Entrepreneurship, Aesthetics, Gender Studies, and Performance Studies. He has a number of published journal articles and books to his name.

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Published

2023-07-03

How to Cite

Abakporo, P. C., & Ohenhen, S. T. (2023). Decolonizing Tropical Environments: Awakening Nigeria’s Indigenous Dance Theatre. ETropic: Electronic Journal of Studies in the Tropics, 22(1), 79–100. https://doi.org/10.25120/etropic.22.1.2023.3958

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Section

Performativity and Performances