Decolonial Exhumation, or the Future Where No One Is Home: Writing Abuse at the Trans-Queer-Feminist Intersection of Tropical Archipelagic Thinking

Authors

DOI:

https://doi.org/10.25120/etropic.24.2.2025.4118

Keywords:

archipelagic thinking, decolonial exhumation, gender-based violence, queer poetry, same-sex intimate partner abuse, tropical future

Abstract

These poems are taken from an autobiographical book project on same-sex intimate partner abuse entitled SUNNY that interrogates how the conjoint forces of heterosexualism, racial classification, and capitalism—understood as Eurocentric—position the lives of queer people at the margins, or what Maria Lugones calls “coloniality of gender.” In these poems, the future is maternal, “the streaming touch of oil on burnt skin,” hopeful, yet is “still about our body, except only its ruination” or “a hill’s destruction.” Written at the trans-queer-feminist intersection of tropical archipelagic thinking, the future here is a metaphor of “elsewhere” or, in the words of Paul Carter, “a place not here but consisting of many (incommensurable) places reached from here…in the archipelago” (2019, p. 117; 2013). By interweaving a fictionalised version of my own victimisation and that of other victims of gendered violence, this archipelagic poetics of wounding not only carves out a space for a queer narrative of victimisation that is systematically erased and insufficiently represented in mainstream analyses of gender-based violence, but also maps out linkages of grief and solidarity amongst tropical bodies at the margins. In writing these poems, I framed a method of writing called “decolonial exhumation,” which is a creative practice of writing and experimentation that struggles for a narration of the pained and miserable present, but one that does not evade histories of multiple and intersectional oppressions. Inspired by Saidiya Hartman’s concept of “critical fabulation” and also informed by the work of plant evolutionary biologist Banu Subramaniam, decolonial exhumation is a creative mission to develop an epistemology and aesthetics that celebrates the fragmentary, lost, partial, incomplete, and perpetually unrecoverable. It is a trans-queer-feminist political response to the legacies of colonialism and empire, and the durable inequalities that cannot otherwise be fully understood without any reckoning of the colonial past and striving for a tropical future “elsewhere.”

Author Biography

B.B.P. Hosmillo, Southern Luzon State University, The Philippines

B.B.P. Hosmillo (PhD) is a poet, editor, and educator. Author of Breed Me: a sentence without a subject, their writings have been translated into Vietnamese, Korean, Indonesian, and Bulgarian. Their writing has appeared in numerous publications such as Kritika Kultura and Likhaan: The Journal of Contemporary Philippine Literature in the Philippines, Transnational Literature, Mascara Literary Review, and Cordite Poetry Review in Australia, The Oxonian Review and The Lincoln Review in the UK, and Prairie Schooner, Tupelo Quarterly, The Margins, and World Literature Today in the USA. Founder and co-editor of Queer Southeast Asia: a literary journal of transgressive, they have received fellowships from the Japan Foundation in Tokyo, Asia Research Institute of the National University of Singapore, the Republic of Indonesia, and the Korean Foundation for International Cultural Exchange. In 2019, they were awarded the distinction of “Honorary Mayor” by the city administration of Jeonju, Republic of Korea.

References

Carter, P. (2019). Decolonising governance: Archipelagic thinking. Routledge. https://doi.org/10.4324/9781351213035

Carter, P. (2013). Tropical Knowledge: Archipelago Consciousness and the Governance of Excess. eTropic: electronic Journal of Studies in the Tropics, 12(2), 79-95. https://doi.org/10.25120/etropic.12.2.2013.3334

Hartman, S. (2008). Venus in two acts. Small Axe, 12 (2), 1-14. https://doi.org/10.1215/-12-2-1

Lilith, R. (2001). Reconsidering the abuse that dare not speak its name: A criticism of recent legal scholarship regarding same-gender domestic violence. Michigan Journal of Gender and Law, 7 (2), 181-219.

Lugones, M. (2007). Heterosexualism and the colonial/modern gender system. Hypatia: A Journal of Feminist Philosophy, 22 (1), 186-209. https://doi.org/10.2979/HYP.2007.22.1.186

Lugones, M. (2010). Toward a decolonial feminism. Hypatia: A Journal of Feminist Philosophy, 25 (4), 742–759. https://doi.org/10.1111/j.1527-2001.2010.01137.x

Lugones, M. (2021). Gender and universality in colonial methodology.” In Y. Espinosa-Miñoso, M. Lugones, & N. Maldonado-Torres (Eds.), Decolonial feminism in Abya Yala, (3-24). Rowman & Littlefield.

Ristock, J. (2011). Introduction. In J. Ristock (Ed.), Intimate partner violence in LGBTQ lives, (1-9). Routledge. https://doi.org/10.4324/9780203828977

Russel, B. (2015). Bridging the gap in knowledge about partner abuse in LGBTQ populations. Partner Abuse 6 (1), 3-7. DOI:10.1891/1946-6560.6.1.3. https://doi.org/10.1891/1946-6560.6.1.3

Subramaniam, B. (2024). Botany of empire: Plant worlds and the scientific legacies of colonialism. University of Washington Press. https://doi.org/10.1515/9780295752471

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Published

2025-04-21

How to Cite

Hosmillo, B. (2025). Decolonial Exhumation, or the Future Where No One Is Home: Writing Abuse at the Trans-Queer-Feminist Intersection of Tropical Archipelagic Thinking. ETropic: Electronic Journal of Studies in the Tropics, 24(2), 231–244. https://doi.org/10.25120/etropic.24.2.2025.4118