Envisioning Multispecies Tropical Futurity: Image-Making in North Maluku’s Frontier Zone

Authors

DOI:

https://doi.org/10.25120/etropic.24.2.2025.4168

Keywords:

multispecies tropical futurity, image-making, visual anthropology, environmental activism, Alfred Russel Wallace, North Maluku

Abstract

In recent years, the name Alfred Russel Wallace, the 19th-century British naturalist who co-conceptualized the theory of natural selection and authored the book documenting species diversity throughout Indonesia, titled The Malay Archipelago (1859), has regained significance in the place where he did his research: Ternate, North Maluku (the Moluccas), Eastern Indonesia. His legacy and icon are being reclaimed by local communities, inserting themselves as authors of the region’s future, one that is centered on multispecies stewardship. Based on visual anthropology ethnographic fieldwork spanning over 15 months since the beginning of 2021, the materials presented in this article explore the perspectives of local cultural activists/practitioners in making visible their concerns, advocating for the rich multispecies existence on their island acknowledged globally since Wallace. Working with a team of university students, photography clubs, journalists, and heritage and environmental activists based in Ternate, I engage with everyday socio-cultural and visual media practices that treat images as modes of address/redress mobilizing affective engagement and political effects (Spyer & Steedly, 2013), contesting possible tropical futurities. Discussing three sites of image-making—a mural, wildlife photography, and drone-afforded reportage—I argue that these practices play a crucial role in intervening in and shaping how this tropical region is imagined at various scales, globally and nationally. Oscillating between utopian and dystopian scenarios, the images produced make a demand for a more just and livable future across species.

Author Biography

Danishwara Nathaniel, Geneva Graduate Institute, Switzerland

Danishwara Nathaniel is an Indonesian scholar/practitioner who is currently completing his Ph.D at the Anthropology and Sociology department of Geneva Graduate Institute, Switzerland, where he also did his Masters’ Degree as a Hans Wilsdorf Scholar. In 2020, he joined the Swiss National Science Foundation-funded research project Images, (In)visibilities, and Work on Appearance led by Professor Patricia Spyer as a Ph.D researcher. His dissertation project “The (Un)Makings of Spice Islands and the People with History” is an ethnography of Eastern Indonesian image-makers and cultural activists using visual media to intervene in dominant archives, redress marginalized histories, and reimagine a more equitable and sustainable future. Danishwara works at the intersection between art and anthropology, theory and practice, and is academically interested in topics ranging from environmental humanities, visual anthropology, to critical heritage studies.

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Published

2025-04-21

How to Cite

Nathaniel, D. (2025). Envisioning Multispecies Tropical Futurity: Image-Making in North Maluku’s Frontier Zone. ETropic: Electronic Journal of Studies in the Tropics, 24(2), 174–198. https://doi.org/10.25120/etropic.24.2.2025.4168