Is there a north Queensland school of painting?

Authors

  • Ron Kenny

Abstract

Many artists have become indelibly identified with special subjects, or, in the case of landscape artists, with particular regional or topographic colours, patterns and forms. In Australian painting, one associates Drysdale with the scenery And the people of the arid "outback". Even those painters whose work is based on less realistic themes - the "myth-makers" and "romantic-legend" artists - are in many cases intimately associated with an identifiable locale. Ned Kelly rides through a landscape which is equally Victorian topography and Nolan imagination; Tucker's explorers stride through obviously Dandenong forests; Guy Grey-Smith's abstractions are often as indicative of the West Australian
sand plains as a surveyor's report; Western Victoria is clearly the hone of Arthur Boyd's half-caste shearers. 

Does a similar situation exist in the north? Have the artists created from the landscape, the people, and their own imaginations, a characteristic idiom?

Downloads

Published

24-03-2016

How to Cite

Kenny, R. “Is There a North Queensland School of Painting?”. LiNQ (Literature in North Queensland), no. 5, Mar. 2016, https://journals.jcu.edu.au/index.php/linq/article/view/799.

Issue

Section

Articles

Publication Facts

Metric
This article
Other articles
Peer reviewers 
0
2.4

Reviewer profiles  N/A

Author statements

Author statements
This article
Other articles
Data availability 
N/A
16%
External funding 
N/A
32%
Competing interests 
N/A
11%
Metric
This journal
Other journals
Articles accepted 
0%
33%
Days to publication 
0
145

Indexed in

Editor & editorial board
profiles
Publisher 
James Cook University